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Napa Valley? Bordeaux? No, but Still Wine Country

2007.05.15. 11:12 oliverhannak

RIO de JANEIRO, May 14 — When the Portuguese winemaker João Santos first viewed his company’s new vineyard in Brazil, he was crestfallen. How could he ever produce wine anywhere nearly as good as that made in Europe? The trouble was the palm trees.

“Wine and coconuts,” Mr. Santos, director of the Dão Sul vineyard, said with a chuckle in a phone interview from Fazenda Planaltino in northeastern Brazil. “One is completely different from the other. Palm trees you find by beaches. Wine comes from France, Italy, Spain, where they don’t have palm trees. Making wine here didn’t seem to make sense.”

Today, four years after Dão Sul purchased land with some grape vines in Brazil’s semi-arid desert just south of the Equator, it all makes perfect sense. Thanks to hard work, better technology and hundreds of miles of irrigation pipes snaking in from the nearby São Francisco River, Dão Sul has overcome the coconut conundrum and produced one of the most successful tropical wines yet.

In doing so it has given a new push to the growing cluster of “new latitude” wines, those produced outside the traditional geographical heartlands of wine country.

Today, producers like Dão Sul, along with beverage industry players like LVMH Moët Hennessy Louis Vuitton, Pernod Ricard and Veuve Clicquot Ponsardin, are investing in developing countries, where a growing middle class is creating more wine lovers. In doing so, these companies are challenging the centuries-old dogma that viticulture is about terroir, the belief that a wine reflects the area where its grapes were produced, and temperate climes.

“For years we have drawn two bands around the globe, roughly between latitudes 30 and 50, to denote those parts of it deemed suitable for viticulture,” Jancis Robinson, a well-known British wine expert, wrote of the new phenomenon on her Web site. “But all this is changing fast. Advances in refrigeration and irrigation techniques, not to mention much greater control over how and when vines grow, have opened up to the grapevine vast tracts of the world previously thought unsuitable for viticulture.”

Good grapes thrive in heat and sunlight, which are abundant in Brazil’s northeast. Normally such tropical climes are also wet, but the water for Dão Sul’s vines comes from the river, not from potentially devastating downpours.

The land is also flat and arid — classic terrain for palm trees. And it is a stark contrast to the rolling hills of established wine country in places like southwestern France or Napa Valley in Northern California, which are far enough above or below the Equator to be in areas that winemakers have traditionally considered optimal.

But now, adventurous winemakers are taking on nature in nations like Brazil.

A Dão Sul subsidiary, Vinibrasil, has hundreds of rows of vines. In Thailand, the Siam Winery has floating vineyards on the Chao Phraya Delta, at 13 degrees north. And even in England, longer and hotter summers have given vintners the confidence to produce a growing range of whites and spumantes.

The new latitude winemakers are still relatively unknown compared with the traditional European powers of France, Germany, Italy, Spain and Portugal, and they lag behind even the New World producers from Argentina, Australia, Chile, New Zealand, South Africa and the United States.

China and Brazil, the two biggest players among the new crop of wine-producing nations, produce just 6.7 million hectoliters, or 2.4 percent of the world’s annual output, according to figures from the International Wine and Spirit Record, a London-based research company.

Still, wine is becoming more popular in countries like Brazil, China and India because of a growing middle class and publicity about its health benefits.

Producers in all three countries are betting those markets will grow, and there are figures to back that up. The London research company estimates that by 2011, wine consumption will rise by 12 percent in Brazil, 39 percent in China and 82 percent in India.

Investors have taken notice. In addition to Dão Sul’s decision to buy into Brazil, Pernod Ricard owns brands in Brazil, Georgia and India; LVMH has invested heavily in Chandon, Brazil’s award-winning sparkling wine; and the French Champagne maker Veuve Clicquot Ponsardin is 11 years into a partnership with Grover Vineyards, one of India’s biggest producers.

“The first thing they do is establish a foothold there so they can sell to the domestic market,” said Joe W. Ciatti, the founder of the California-based Joseph W. Ciatti Company, the world’s largest wine broker. “Then they can think about exporting afterwards. Everything today is global, so the opportunities are there and the big players are not afraid. They’ll move in if the chance is there.”

Ciatti and other American producers said the new latitude producers were still so small that they had not yet registered on American radar screens. New World producers worry more about Old World producers and vice versa, Ciatti said.

The two dominate production, with 62 percent of the world’s wine coming from the big five European producers and 26 percent coming from the New World nations, according to the Paris-based International Organization of Vine and Wine.

But while the two dominant players vie for a share of a market now worth $91.6 billion, according to the organization’s figures, Vinibrasil is quietly working away in this sweltering desert south of the Equator. The company’s decision to invest in South America was a gamble based on Brazil’s long experience in grape production and winemaking.

Immigrants from Portugal in the 16th century and then later from Italy, France and Germany set up vineyards in the south of the country. Dão Sul believed it could make similarly high-quality wines, 1,200 miles to the north. In 2003, it snapped up the first part of what became an almost 5,000-acre plot along the banks of the São Francisco River. It then spent more than $4 million buying state-of-the-art machinery.

The 25 different reds, whites and spumantes it produces today account for 15 percent of the company’s output.

The decision to invest in Brazil was based on several factors, including cheap land and labor and advanced refrigeration techniques. One important advantage it shares with many new latitude producing nations is year-round sun. The region gets sunlight 12 hours a day, and in contrast to Bordeaux, which gets sunlight 12 hours a day only during the summer, there are cloudless skies here 300 days a year. Winemakers can harvest all year round, and thus sharply cut production costs.

“We have around 50 lots of four hectares each and we have grapes growing all the time," Mr. Santos said. “That means we collect grapes two or three times in January, two or three times in February, two or three times in March and so on. The cycle is continuous.”

Ms. Robinson says the new latitude wines are not a threat to the best that Bordeaux or even Northern California can offer. But she acknowledged that most of the upstart nations are at the same stage of development the French wine regions were at centuries ago. “I still find it hard to believe that new latitude wines will ever be seriously good,” Ms. Robinson wrote on her Web site. “But then that’s what was said about New World wines not that long ago.”

Szólj hozzá!

The Cape Town Area’s Endless Possibilities

2007.05.14. 17:52 oliverhannak

A toddler squeals with delight alongside a jumble of boulders, plunking herself thigh high into a sloshing emerald pool within inches of dozens of honking African penguins that squirt in and out of the water like large self-propelled watermelon seeds.

This sparkling cove at Boulders Beach, less than an hour outside Cape Town, South Africa, is part of Table Mountain National Park, and one of the most protected places along False Bay for kids — and birds — to swim. Squint your eyes and you could be in the Seychelles. It's just one of many places — drive-up beaches, malaria-free open spaces and casual cafes — that make Cape Town an easy place for families to decompress. South Africa's safari lodges may dangle attractive kid bait, like hunts for the “little five” (elephant shrews and rhino beetles among them), but they also have safari rules like “no talking,” and “sit still.” In Cape Town, children can make noise when they see animals, swim next to them, and even touch some.

You can forgo the confusing traffic tangle getting in and out of the commercial Victoria and Alfred Waterfront by making Camps Bay your base. The anchor of what is known locally as Cape Town's Riviera feels unpretentious, like a California beach town. On a sunny Saturday morning, cyclists and ponytailed moms with baby-joggers share the palm-fringed seaside promenade in the shadow of the Twelve Apostles mountain range.

Across the street, umbrellas line Victoria Road's outdoor cafes. Young families fill Nando's terrace (Promenade Building; 27-21-438-1915) for its flame-cooked chicken plates (“Kidz Meals” are 19.95 South African rand, or $2.85 at 7.19 South African rand to the dollar). At the long-standing Bayside Cafe (51 Victoria Road; 27-21-438-2650) order grilled just-caught kingklip (71 rand); fish and chips for the children (32 rand).

Camps Bay Village rents stylish apartments (69 Victoria Road; 32 Camps Bay Drive; 27-21-438-5560; www.campsbayvillage.com; two bedrooms, between 935 and 1,980 rand; three bedrooms, 1,100 to 2,200 rand and, villas from 1,800 rand). Its guests can use the nearby Bay Hotel's concierge services, but the hotel does not allow children under 12. The Twelve Apostles Hotel and Spa does, and will provide robes and a welcome gift for children, toys in the room and spectacular sunset views for you (Victoria Road; 27-21-437-9000; www.12apostleshotel.com; superior sea-facing rooms from 4,620 to 5,600 rand). Your Eloise may prefer the grand pink Mount Nelson, in the city center, for its history, gardens and free bedtime cookies and milk (76 Orange Street; 27-21-483-1000; www.mountnelson.co.za; doubles sleep three, 4,410 rand).

Cape Town has two “must dos” a 10-minute drive away. The first is Robben Island (27-21-409-5100; www.robben-island.org.za; 150 rand; 75 rand for ages 4 to 17; under 4 free). Admission includes the ferry, a three-and-a-half-hour tour, including a bus tour, and a chance to question a former inmate at the cell where Nelson Mandela spent two-thirds of his 27 years in jail. There's a reward for good behavior at the end: a boardwalk leads to a beach full of African penguins.

Next is a ride aboard the Table Mountain Cable Car, with a rotating floor (Tafelberg Road; 27-21-424-8181; www.tablemountain.net; 120 rand; 65 rand for ages 3 to 17; under 3 free). At the top, children can focus on rock dassies (rodentlike hyraxes), while you take in the panoramic views. It gets windy and foggy on the mountain, so check that it's open that day.

If you decide to tackle the city center's main attractions, buy a ticket for the double-decker Cape Town Explorer (27-21-511-6000; www.hyltonross.co.za; 100 rand; 50 rand for ages 2 to 12), a hop-on hop-off tourist trolley. Kids will love riding up top, and you'll like avoiding expensive cab fare.

Now you can escape. Camps Bay gives you a head start for Cape Town's best day trip, down the Peninsula's beaches to the Point on the Cape of Good Hope, for which the Cape Town region is named. Cut in from the coast at Hout Bay for your first wildlife encounter at the quirky World of Birds Sanctuary (Valley Road; 27-21-790-2730; www.worldofbirds.org.za; 55 rand; 35 rand for kids). Here, you can meander through low-ceilinged aviaries fluttering with colorful varieties. The birds are shy, as are the jittery tamarinds, but the frisky squirrel monkeys running loose in the Monkey Jungle might pet you.

Ten minutes farther northeast is the turnoff for Kirstenbosch National Botanical Garden (Rhodes Drive; 27-21-799-8899; www.sanbi.org; 27 rand; 5 rand ages 6 to 18; under 6 free), with broad, sloping lawns, modern giggle-inducing sculptures and forays to find slime lilies and yellow witchweeds. It's ideal if someone in your group needs some serious running-around time.

Time to hit the beaches. In addition to Boulders (20 rand), a string of family beaches and strollable towns ring False Bay. You can snap photos at the painted Victorian bath houses at St. James while the kids explore the tidal pool. In Kalk Bay, try a light lunch or crisp baked goods at the eclectic Olympia Cafe and Deli (134 Main Road; 27-21-788-6396). Sheltered Fish Hoek has a children's play area, but your little dude or dudette will want to sandboard the sand dunes. In historic Simon's Town, look for the statue of Able Seaman Just Nuisance in Jubilee Square (he was a Great Dane).

A 20-minute drive south, bucks and baboons might greet your car as you approach Cape Point Nature Reserve (27-21-780-9010; www.tmnp.co.za; 35 rand; 10 rand for children; under 2 free). The windswept soaring cliffs and beaches offer bragging rights: the kids can stand at the most “southwesterly” point of Africa; ride the continent's only funicular (single trips 25 rand; round trip 34 rand; 8 and 10 rand for children) to the most powerful lighthouse on the African Coast, and see the spot where the cold Benguela current and the warm Agulhas current meet.

If that whets their appetite for sea creatures, you can plan another day's outing at Two Oceans Aquarium (Dock Road, V & A Waterfront; 27-21-418-3823; www.aquarium.co.za; 70 rand; 32 rand for ages 4 to 17; under 4 free). You can troll for souvenirs while the kids mold or paint theirs at the aquarium's activities area, where they can also sing and dance.

Noon is early for lights out, but a short cab ride away, the Iziko Planetarium (25 Queen Victoria Street; 27-21-481-3900; www.iziko.org.za; 20 rand; 6 rand for kids) has a changing schedule of shows for ages 5 to 10 (adults pay half for kids' shows), with several on weekends. Night owls can attend the Tuesday shows at 8 p.m. The museum is in the Company's Gardens, which resembles a scaled-down version of the National Mall in Washington. The former agricultural plot for the Dutch East India company's seamen is surrounded by historic buildings, Parliament, museums — and a sense of calm. You can view contemporary art at the National Gallery (Government Avenue; 27-21-467-4660; 10 rand; 5 rand for kids; Saturdays free) and then relax beneath the trees.

For lunch, nearby Fork (84 Long Street, 27-21-424-6334) has a stylish urban interior, a convenient location on Long Street, lined with shops, and kid-friendly tapas available all day. Visit in the late afternoon to avoid the smartly dressed business lunch crowd. Try the ostrich or kudu fillets (45 rand), and order a crispy nest of pasta (30 rand) or a simple plate of fries (15 rand) for the children. You can sample a bottle of local chenin blanc for 70 rand (that's per bottle not per glass).

Or pick one up at the source: the Stellenbosch Winelands, a 45-minute drive away. Admission is free at Spier Estate's intoxicating array of animals, gardens, picnic areas, lake and playgrounds (R310 Lynedoch Road; 27-21-809-1100; www.spier.co.za). Touching anything is extra. You can pet cheetahs at Cheetah Outreach; it's 10 rand admission; 70 rand (adults) and 30 rand (kids) to pet a cheetah; 160 rand (adults and children) to pet a cheetah cub. You can also marvel at swooping raptors at Eagle Encounter, a bird show that runs all day (30 rand; 15 rand for ages 3 to 12). On weekends, pony rides and carriage tours (10 rand) start at noon at the Deli & Grill, where you can get quiche (36 rand) or calamari provençal (45 rand), while the children can eat cheese toasties and chips (21 rand).

Szólj hozzá!

36 Hours in St. Petersburg, Russia

2007.05.13. 10:51 oliverhannak

BACK when foreigners in Leningrad were treated almost like interlopers, shunted into dormitory-like hotels and pummeled with propaganda about the primacy of Soviet Man, the city was an improbable destination for families. No longer. Rechristened as St. Petersburg, the former Russian capital has recaptured much of its glamour and offers an enchanting landscape not only for lovers of culture but for their children as well. Adults can walk in the footsteps of Pushkin and Dostoevsky, Tchaikovsky and Shostakovich. But the city also has a slew of fantastical palaces, a rousing circus, one of the world's deepest subways and natives who eat pancakes for dinner. What child wouldn't be smitten by that? And if you visit during the summer, the sun barely sets, so there's plenty of time to play. Here's the only rub: getting the little ones to bed when there's still daylight.

Friday

3 p.m.
1) WHERE THE CZARS RESIDE

Time for a quick geography lesson: St. Petersburg, which is comprised of several islands, was founded by Peter the Great three centuries ago on a swamp. Keep this in mind when you take an escalator to the subway and descend. And descend. And descend. It's a thrill, and you haven't even boarded the aged trains, which depart from terminals adorned with enough sculptures and art to be public galleries. Exit at the Petrogradskaya stop and head for the Peter and Paul Fortress (7-812-230-0329; www.spbmuseum.ru/peterpaul). This is the city's oldest section, filled with museums and the gorgeous, not to mention slightly eerie, Cathedral of Saints Peter and Paul. Watch your kids' eyes widen when they realize that those stone vaults a few feet away are the crypts of the czars, including the last one, Nicholas II.

5:30 p.m.
2) CANDY CHURCH

Amble back to the city center, crossing the Neva River on the Troitsky Bridge, with its vistas of the city. Pass through the Field of Mars, a park with an eternal flame and war memorial that is often visited by brides and grooms on their wedding day. Look up and you'll see the colorful onion domes of the Church of the Savior on Spilled Blood (Konyushennaya Square, 7-812-315-1636, eng.cathedral.ru/saviour). Children visiting Europe often utter, “Not another church!” but it may be hard for them to resist this multihued one — my children said it reminded them of King Kandy's castle from the game Candy Land.

7 p.m.
3) STEP RIGHT UP

Yes, you'll find Russian bears at the St. Petersburg Circus (3 Fontanka, 7-812-314-8478; www.circus.spb.ru), which is housed in a red-domed stone building that opened in 1877, but that's not all. The circus mounts spectacular shows with tigers, lions, porcupines and ostriches, as well as acrobats who seem to disdain nets and clowns whose silliness can be understood in any language. If you're without children and aspire for high culture, stop off at the many theater box offices sprinkled around the city and get tickets for the night's ballet or opera at the historic Mariinsky Theater (1 Teatralnaya Square, 7-812-326 4141; www.mariinsky.ru/en), home of what was once known as the Kirov.

9:30 pm
4)GRILLED CHEESE FOR DINNER?

If images of Soviet culinary deprivation linger in your mind, be prepared to be surprised, not only by the quality and number of restaurants, but also their diversity. Food from the former Soviet republic of Georgia, with its mix of Slavic, Middle Eastern and Mediterranean flavors, is especially popular, and one of the best and most affordable places to try it is the family-run Khinkalnaya-Khachapurnaya (8 Borovaya Street; 7-812-575-6836). Order the lamb skewers, called shashlik (140 rubles, or about $5.50 at 26 rubles to the dollar), and the eggplant with walnuts (90 rubles), while the kids will enjoy khachapuri (100 rubles), a Georgian national dish that's akin to a gourmet grilled cheese sandwich. The staff speaks very little English, but keeps a single English menu handy.

Saturday

9:30 a.m.
5) HYDROFOIL TO THE FOUNTAINS

Now for a glimpse of the glories, or depravities (depending on your point of view), of the czars. French royalty had Versailles; the Russians had Peterhof (2 Razvodnaya, 7-812-420-0073; www.peterhof.org), an 18th-century complex of palaces and gardens west of the city center. The estate is famous for its fountains, which operate May through October. Take a hydrofoil from a berth on the Neva River, and don't forget to bring bathing suits for the children. While you take in the buildings and grounds, the kids can partake in a Peterhof tradition: splashing in the so-called trick fountains and stomping on the “magic” stones to find the ones that supposedly make the water spurt. Adults may figure out the secret to the trick, but my wife said she would divorce me if I ruined the fun by revealing it.

2 p.m.
6) YES, THAT MUSEUM

Perhaps you've heard of the neat little museum near the hydrofoil berth. Of course, you could spend the entire 36 hours in the Hermitage (34 Dvortsovaya Naberezhnaya, 7-812-710-9625; www.hermitage.ru) and not feel as if you have seen the whole thing, but even a few hours can give you a scrumptious taste. Start at the Winter Palace, one of the main buildings, where the former royal rooms, complete with thrones and lavish gold carvings, are as captivating as the art. The place simply looks like something out of a fairy tale, which is why children tend to get less cranky at the Hermitage than at most museums. Many of my Russian friends say their favorite area is the Pavilion Hall in the Small Hermitage, with its mosaics and phantasmagorical Peacock Clock from the collection of Catherine the Great. Military buffs should not miss the 1812 War Gallery, festooned with portraits of heroes from the victory over Napoleon.

6 p.m.
7) A VERY BIG CATHEDRAL

St. Isaac's Cathedral (Isaakievskaya Square, 7-812-315-9732; www.cathedral.ru) looms nearby, and while you'll undoubtedly be impressed by its enormous size and striking interior, you're also here to climb to the top for panoramic views of the city. Next, make your way a few blocks to the city's main boulevard, Nevsky Prospekt. “There is nothing better than Nevsky Prospekt,” wrote Nikolai Gogol, the 19th-century writer and St. Petersburg denizen. You'll soon see why. Stroll past stately palaces, romantic canals and throngs of dolled-up women in very high heels — fashionable signs of the city's new culture of wealth.

8:30 p.m
8) OLD FAMILY RECIPES

Under Communism, Russians often looked wistfully and resentfully upon the most famous Russian cookbook, “A Gift to Young Housewives,” by Elena Molokhovets, which was first published in 1861 and, for a time, was as popular as “The Joy of Cooking” in the United States. There was simply no way to procure all the ingredients — goose, veal, crayfish, truffles — for the sometimes elaborate recipes. Dishes inspired by the cookbook are on the menu at Molokhovets' Dream (10 Radishcheva Street; 7-812-579-0073), one of the city's finest restaurants. Go for the rustic meat entrees, especially the venison with mushrooms and lingonberry sauce (1,080 rubles) and the lamb with rosemary and garlic (1,370 rubles). The dining room is quaint and the service intimate, with only a handful of tables, but enough room for a live pianist.

Midnight
9) MARITIME ADVENTURE

It's midnight, and it's light out. What better time to go out on the water? Who needs humdrum bus tours when you can board a boat along Nevsky Prospekt, where it intersects with either the Fontanka or Moika canals and explore the city in maritime style. And if you time it right, you can watch the overnight opening of the bridges, which allow tall merchant ships to pass.

Sunday

9 a.m.
10) HONEY AND SPICE

Russia used to be an empire, and you'll sense this history at the Kuznechny Market (3 Kuznechny Pereulok; 7-812-312-4161), where there is an abundance of fruit, vegetables and spices from former colonies in Central Asia and the Caucasus region. A stop here should convince you that the shortages of the past are well past. And once you nibble the fresh honey proffered on the comb or from vats, it may be difficult for you to settle for the stuff from a jar back home.

11 a.m.
11) THIS MUSEUM IS FUN

The Russian Museum (4 Inzhenernaya Street; 7-812-595-4248; www.rusmuseum.ru/eng) may be the unsung sidekick to the Hermitage, but it has plenty of its own charms. The palatial collection of Russian art ranges from medieval religious icons, to avant-garde works by Kandinsky and Malevich. If the kids are antsy — not another art museum! — take them next door to the Museum of Ethnography (4/1 Inzhenernaya Street, 7-812-570-5709; www.ethnomuseum.ru). On Sunday mornings, children can learn traditional Russian crafts, like pottery, weaving and doll making, at workshops run by Russian artists.

1 p.m.
12) PANCAKES FOR LUNCH

Blini, thin pancakes stuffed with savory or sweet filling, are a Russian favorite. They are also an ideal fast food: inexpensive, made before your eyes and not deep fried (though, alas, not exactly low-calorie). Teremok, a St. Petersburg institution, has blini outposts all over town, and you'll find one in a kiosk near the Russian Museum, in front of 29 Italianskaya Street. Prices for most of the blinis range from 30 to 80 rubles, depending on the filling, which includes mushroom, cheese and salmon. Save room for dessert. A chocolate blini is a sweet way to end your visit.

VISITOR INFORMATION

Flights from the United States to St. Petersburg almost always involve a connection. A recent Web search showed fares starting at around $1,135 for a round-trip flight on Aeroflot from New York to St. Petersburg, with a connection in Moscow. Other major airlines fly to St. Petersburg from their European hubs. Visas are required for most foreign tourists, including Americans.

A taxi from Pulkovo Airport into the city center is about 1,000 rubles, or about $38.50 at 26 rubles to the dollar. Many of the main tourist sites are within walking distance. Subways and buses are efficient, though not always easy to navigate for non-Russian speakers.

Expect Western European quality — and prices — at luxury hotels, including the Hotel Grand Europe (1/7 Mikhailovskaya Street; 7-812-329-6000; www.grandhoteleurope.com), the Astoria (39 Bolshaya Morskaya; 7-812-494-5757; www.thehotelastoria.com) and the Kempinski (22 Moika; 7-812- 335-9111; www.kempinski-st-petersburg.com). Rates at these hotels typically start above $400 a night and are often priced in dollars or euros.

Less expensive, but well-regarded, are the Petro Palace Hotel (14 Malaya Morskaya Street; 7-812-571-3006; www.petropalacehotel.com) and the Hotel Pushka Inn (14 Moika; 7-812-312-0913; www.pushkainn.ru), where double rooms start at around $150 a night.

Szólj hozzá!

Family Travel | Los Angeles

2007.05.13. 10:51 oliverhannak

Adventures in Dreamland

ONE pleasant April afternoon, I found myself, along with my wife and our two children, in the middle of a quintessential American scene. There was a quaint town square, a sturdy shade tree flanked by cozy shops and Victorian houses. As we surveyed this idyllic tableau, it was pointed out to us that many of the buildings were empty shells, and that the leaves on the trees were bits of green plastic wired to the branches.

The news was not altogether shocking. We had, after all, reached this New England hamlet via a five-minute drive from downtown Chicago, which was itself nestled up against a block of New York brownstones not far from an overgrown patch of jungle. The mountains in the distance seemed real enough. They were the Hollywood Hills, and our immediate surroundings, the Warner Brothers back lot in Burbank.

As a tourist destination, Hollywood is a bit of a tease, at once wide-open and hermetic. It's all around you — the magic of the movies, the homes of the stars, the big sign in the hills — but where, exactly, is it?

Before I became a film critic, I never spent much time in Los Angeles, and my subsequent acquaintance with the city has been colored, and perhaps distorted, by my job. It is all too easy, when you write about movies, to wrap yourself in a carapace of cynicism; you don't want to come off as too star-struck, too susceptible to the glamour that still emanates from Hollywood. And so you learn to inflect the word “Hollywood” with a certain disdain, to show that you don't buy all those clichés about Tinseltown and the Dream Factory. If you come from New York and have seen “Annie Hall” as many times as I have, you may also retain certain snobbish prejudices about the place.

But who am I kidding? Hollywood may connote shameless commercialism, but it also conjures a powerful, undimmed spell of romance. The paradoxical mystique of movie stars — we feel like we know them so well, even as their lives seem so fantastically distant from ours — extends to the place where they are hatched and raised.

Luckily, my children, now 8 and 10 years old, provide an antidote to my put-on professional world-weariness. They are voracious, indiscriminate consumers of popular culture, and while I can't always share their enthusiasm — in the interests of family harmony, we tacitly agree not to bring up my reviews of “Madagascar” or “Chicken Little” — I am always happy to feed it.

And so when work calls me out to Southern California, I try whenever possible to take the family along. Over the last few years, the four of us have developed a collective crush on Los Angeles.

Earlier this spring, I left behind my critical agenda and, inspired by “Little Miss Sunshine,” the National Lampoon “Vacation” movies and a half-dozen relevant episodes of “The Simpsons,” assumed the role of affable tourist doofus dad. In this script my wife, Justine, was perfectly typecast as the voice of skepticism and good sense. Our children adopted pseudonyms, both to protect their anonymity in the newspaper and to pay tribute to the local tradition of self-reinvention that turned Issur Danielovich Demsky into Kirk Douglas and Norma Jeane Baker into Marilyn Monroe. The boy renamed himself Wayne Bruce, in triple tribute to Batman, the Duke and the star of “Die Hard,” which he'd recently seen part of on cable and which is, not coincidentally, a movie about a New Yorker coping with life in Los Angeles. His younger sister chose to inscribe herself in the tradition of single-named divas; we'll call her Melody.

We took an afternoon flight to LAX and found ourselves in the rental car lot just in time for rush hour. Wayne Bruce, true to action-hero form, wanted to roll out in the red Hummer. I'll admit to ogling the Dodge Magnum. Half an hour later, thrift and good sense prevailed and we were crawling north on the 405 in a silver Impala under a disconcertingly cloudy sky. We checked into our cozy suite in West Hollywood, ordered hamburgers and quesadillas and set about storyboarding the days ahead.

The plan was to balance present and past, sensation and education, indoors and out. We wanted not only to explore movie-related tourist sites, but also to score a vicarious taste of what our movie-saturated imaginations pictured as a Hollywood lifestyle. Thus a certain amount of time would be allotted for lounging beside the pool, for being seen in trendy restaurants, for driving aimlessly in the hills, for staring at the Pacific Ocean.

“Will we see any celebrities?” Melody wondered. As it happened, we would not. There was one of those I-know-I've-seen-him-somewhere encounters, in an aisle of the Whole Foods in Santa Monica, with an actor who had the good grace to show up in a rerun on the hotel TV that night. And our guide on the Warner Brothers studio tour did make eye contact with me in his rear view mirror and ask, “Did anyone ever tell you you look like Paul Giamatti?”

But I'm ahead of the story. A studio tour was to be the first order of business. We had done Universal Studios — more of a theme park ride than a tour — on a previous visit; Disney doesn't offer tours of its studio lot, and neither does Fox (D'oh!). Paramount and Sony don't accommodate children under 12. That left Warner Brothers. The voice message said that reservations were accepted for the first tours of the morning (at 8:30 and 9), and that the rest of the day was first come first served.

So after a leisurely breakfast at the Urth Caffé on Melrose in West Hollywood, surrounded by script-readers and -writers and other aspirants to Hollywood glory, we made it to Burbank by 10:30. “Do you have a reservation?” we were asked. Well, no we didn't. Rather than wait three hours, we made reservations for the next afternoon and headed back over the hills, touching down at the intersection of Hollywood and Highland.

This turned out to be a good place to start — the epicenter of Hollywood tourism, an open-air theme park and pilgrimage site. Grauman's Chinese Theater, the Walk of Fame, the Kodak Theater shopping-mall complex where the Oscars are handed out: they're all right here.

We began with the Hollywood History Museum, which occupies a handsome Art Deco building that used to house the Max Factor makeup company. As I bought tickets, Justine pointed her digital camera at a poster in the lobby — an advertisement for the museum itself — and was immediately accosted by a man who seemed more like a junior production executive than the security guard he apparently was. “Ma'am, I'll have to ask you to erase that picture,” he said, explaining that “everything in this museum is a copyrighted piece of intellectual property.”

This was a useful object lesson, a reminder that we were visitors in a company town. We tend to think of movies as public property. Who do they belong to, if not the fans? But of course they are made, distributed, owned and fiercely protected by large commercial interests. And so we checked the camera at the front desk and worked our way through the jumble of memorabilia that is the Hollywood History Museum.

History is not, in that museum or anywhere else in Hollywood, a sequential, chronological affair. The Max Factor Building has been made over into a glorious attic, where posters, costumes, autographs and props line walls and fill vitrines according to no discernable principles of organization. John Garfield, John Wayne, Bruce Willis, Johnny Depp, Elvis Presley, Janet Gaynor, Jodie Foster — they're all thrown together, along with thousands more, just as they would be on the shelves of an especially chaotic video store. That may be the idea: movies exist in an eternal present, which is to say whenever you happen to watch them. And who has ever watched them in chronological — or any other logical — order?

My favorite room was filled with pictures of old-time stars, and also of the city itself, taken at various points in its evolution from a sleepy Western outpost into a sprawling postmodern metropolis. But the feeling was less one of nostalgia than of continuity and equivalence.

The Hollywood tourist experience creates the impression that legends of the past are equal to the glories of the present. This is quite deliberate. If the golden age were located too firmly in the past, then how could the appetite for novelty on which the entertainment industry depends be sustained? Wayne and Melody, big fans of “Some Like It Hot,” were happy to see Marilyn Monroe at the Hollywood Wax Museum (our next stop), but they were more excited by Spiderman and Freddy and Jason and the crew of the Black Pearl.

And the Walk of Fame, which stretches along Hollywood Boulevard in both directions, expands on this happy heterogeneity. Critics and historians can evaluate quality and importance, but the sun shines on the legendary and the forgotten, the great and the awful — Judy Garland's square of pavement and Mary-Kate and Ashley Olsen's — alike. You can follow their names from the Chinese to the Egyptian, home of the American Cinematheque, a shrine to serious cinema art, and stop on the way to have your picture taken with a guy dressed as SpongeBob or Homer Simpson (him again!) and buy a hollow replica of an Oscar statuette with the inscription Best Dad.

As we walked east, the homogenized atmosphere of chain restaurants and licensed merchandise turned seedy, as if the New Times Square were adjacent to the old one, rather than on top of it. We debated joining an organized walking tour of Hollywood sites, or boarding a bus that would take us past movie star homes, but decided to wander instead. We gazed at windows full of wigs and costumes, and were happy, for most of an hour, to trade the magic of Hollywood for Hollywood Magic, a marvelous old-style novelty shop. There, a man behind the counter performed card and coin tricks, much to the delight of Wayne and Melody, who spent some of her allowance on a Whoopee Cushion.

BY dinnertime, we were ready for more refined amusement, or at least a good dinner. Did we have a reservation? No, but when we called Lucques, a highly rated restaurant a short walk from the hotel, we were told that a party of four had just canceled. Justine and Melody shared the seared breast of duck, and Wayne polished off a plate of short ribs.

Justine likes movies, but she loves birds and trees, and so the next day, on our way to Warner Brothers, we drove into Griffith Park, where trails wind through the wooded hillsides toward the Hollywood sign and the Observatory. Scrambling through brush and the rocks, we could imagine ourselves in the Old West, or deep in the jungle, or, once we reached the Observatory terrace, in “Rebel Without a Cause.” All of which were perfectly apt. The varied natural and human topography of greater Los Angeles — desert, forest, suburb, seaside, slum — has made it almost infinitely adaptable. One of the reasons so many movies are made here is that it can so easily pass for just about anywhere.

And what Hollywood cannot find, it builds and recycles. This was the theme of the Warner Brothers tour, which took us through empty back lots and sound stages, further scrambling our sense of location and history. Since it was a holiday, no one was working except the tour guide, who talked as if he was not an employee of Time Warner but one of the original Brothers. As he drove us past the bungalows that once housed writers and actors on contract, he recounted that Bette Davis had once demanded an entire building to herself. “She was one of our biggest stars,” he said, “and since she'd made us so much money we were happy to give her whatever she wanted.” I'm sure he was.

But the tour, in keeping with the endless scrambling of past and present, was less about Bette Davis than “The Gilmore Girls.” We stopped in Stars Hollow to take permitted photographs, and wandered through the Gilmore mansion, which is housed in a sound stage. But Stars Hollow used to be Walton's Mountain, and before that, part of it was Kings Row, where Ronald Reagan lived before he went into politics. And the “Gilmore Girls” sound stage used to be “Casablanca.” Much of the lot was built in the early years of the sound era, and its city streets and country towns have been used hundreds of times — in bad and good movies and (more frequently now) in television shows — ever since.

It began to occur to us that what we were encountering was raw materials and byproducts, none of which were quite as satisfying as the movies themselves. It isn't so much that Los Angeles saves its best face for the camera, but more that its ubiquity on screen creates a strange sense of familiarity. The Richard Neutra houses and Spanish-style bungalows; the Capitol Records Building and the Santa Monica Pier; Rodeo Drive and Skid Row — I see them every week, juxtaposed in ways forbidden by traffic and geography, and framed and filtered by more evocative lenses than the ones on my glasses.

Happy as we were to be in the real Los Angeles, we found that what we really wanted to do was go to the movies, and our attempt was thwarted in a quintessentially Hollywood fashion. According to the papers, there was an early-evening screening in the Cinerama Dome, a refurbished 1950s showpiece (now part of the Arclight complex) built for the three-projector wide-screen spectaculars that were meant to save the movies from television. But the Dome is a popular place for premieres, and when we arrived the red carpet and velvet ropes were being prepared for that night's “Entourage” gala.

The next day, Melody and Justine, having decided that some movie-star-grade pampering was in order, went for hot stone massages at a day spa. Wayne and I took a power breakfast in Larchmont Village, a neighborhood that seemed eerily familiar. Dads pushing jogging strollers; moms lugging yoga mats: it was Park Slope, but with palm trees.

Then, hungering for a glimpse of the ocean, even through the persistent cloud cover, the four of us drove up the Pacific Coast Highway to Malibu, and pushed the Impala through hairpin turns into the Santa Monica Mountains, where we found the Paramount Ranch. Now part of a national park, the ranch was where the studio shot many of its westerns. The Western Town, most recently home of “Dr. Quinn, Medicine Woman,” is still there, and Wayne shot me down, just as if I was Liberty Valance, on its dusty main street. The town wasn't big enough for the both of us.

We wound along Mulholland and then turned toward the Pacific, to follow our western with a surfing movie. At Point Dume State Beach we dug our toes into the sand, stared dreamily into the distance and spotted dolphins frolicking not far from shore, a sight more thrilling than any movie.

As the sun set, we turned off the highway onto Sunset Boulevard. The sandy children dozed in the back and I could sense the glow of a Hollywood feeling I had sought without quite knowing it. Maybe it was the feeling of finding myself in a perfectly cinematic moment, as the road snaked through Pacific Palisades, Brentwood and Beverly Hills, past the grand, gated homes, the hand-lettered signs advertising Star Maps and the bored dreamers selling them. The drive was mundane and romantic at the same time, and as we descended onto the Sunset Strip in search of dinner (which we found, without reservations, at a Japanese restaurant where Jim Jarmusch's “Dead Man” was silently projected on a courtyard wall), we felt lost and completely at home.

A few weeks later, back in her third-grade classroom, Melody wrote an essay about her trip “to a place I like to call Hollywood.” I'm not sure exactly which place she meant, but I like to call it that too.

VISITOR INFORMATION

The unassuming Le Parc Suite Hotel blends into its quiet residential block in West Hollywood. Its spacious, reasonably priced suites, which make the hotel popular with musicians and film crews in town for extended stays, also make it appealing for families. The studio and one-bedroom suites can sleep four people comfortably, with varying degrees of privacy, and have kitchenettes and small balconies. Meals can be taken at the Knoll restaurant on the third floor; you can also order food on the rooftop terrace, where there is a small heated pool, a hot tub and tennis courts. (733 North West Knoll Drive; 310-855-8888; www.leparcsuites.com. Rates vary seasonally. Current rates begin at $229 for a studio.)

Groceries can be purchased at Trader Joe's, a 10-minute walk from Le Parc at 8611 Santa Monica Boulevard. Urth Caffé, not far away at 8565 Melrose Avenue, has excellent coffee, healthy and generous breakfast and lunch offerings and good opportunities for movie-industry eavesdropping. Le Parc is also within walking distance of the trendy Melrose shopping district, and from Lucques (8474 Melrose; 323-655-6277; www.lucques.com), which serves creative and thoughtfully prepared Cal-French cuisine in a carriage house once owned by the silent-film star Harold Lloyd. Another memorable meal was at Yatai (8535 Sunset Boulevard; 310-289-0030; www.yatai-bar.com), an Asian tapas bar whose sleek, dark ambience seemed much less child-friendly than its selection of small dishes (including satay, vegetable rolls and addictive nuggets of fried chicken) turned out to be. The mojitos are good, too.

Reservations for the Warner Brothers VIP studio tours can be made by calling (818) 972-8687 or at www.warnerbros.com. The tours last a little more than two hours; children must be at least 8 years old. Tickets are $42 a person.

Tickets for the various sites near Hollywood and Highland can be purchased individually. Or, at any of them, you can buy a Walk of Fame City Pass that includes the Hollywood History Museum or the Kodak Theater, the Hollywood Wax Museum, the Hollywood Behind-the-Scenes Walking Tour and the Starline bus tour. It costs $49.95 and is valid for nine days. Star Maps can be purchased for $5 from anyone sitting in a folding chair under a sign that says “Star Maps, $5.”

Griffith Park is open daily from 6 a.m. to 10 p.m. (Park information is at www.lacity.org/rap/dos/parks/griffithPK or 323-913-4688). Admission to the Observatory (www.griffithobs.org) requires a timed ticket ($8 for adults; $4 for children 5-12) and a shuttle bus ride from Hollywood and Highland. Reservations: (888) 695-0888. The Paramount Ranch is part of the Santa Monica Mountains National Recreation Area (805-370-2301; www.nps.gov/samo) in Thousand Oaks. It is open daily from 9 to 5. There is a covered picnic area and a performance stage behind the Western Town.

Hollywood Magic is at 6614 Hollywood Boulevard (323-464-5610). Collectors, souvenir hunters and comic-book geeks should not miss Meltdown (7522 Sunset Boulevard; 323-851-7223; www.meltcomics.com), which has an impressive and eclectic selection of action-figures, memorabilia, comics and graphic novels.

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The Incredible Flying Granny Nanny

2007.05.10. 08:45 oliverhannak

ANGELA KIM spends two days a week baby-sitting for her 2-year-old grandson, Noah, while her daughter, Andrea, a doctor, works nine-hour hospital shifts.

Only Mrs. Kim, 57, lives in Houston and her daughter and grandson live in Dallas — 250 miles away.

This long-distance child care arrangement means that on Tuesdays Mrs. Kim wakes at 4:45 a.m. to catch a 6:30 a.m. Southwest Airlines flight to Dallas Love Airport, where her daughter and Noah pick her up at the curb.

At the hospital, her daughter hops out of the car to make her 8 a.m. shift and Mrs. Kim slips into the driver’s seat. Then she and Noah drive to his preschool, and after that, home, where Mrs. Kim fills her grandson’s next two days with brown rice, seaweed and Konglish, a mix of Korean and English.

On Wednesday night, Mrs. Kim does the trip in reverse, catching a 7:30 p.m. flight to the Houston airport, where her husband picks her up.

Terri P. Tepper of Barrington, Ill., made a similar trek every week for a year to help care for her granddaughter so that her daughter could pursue her career. Beginning in 2001, Ms. Tepper flew to New York on Sundays and returned to Chicago on Thursdays.

“It was cheaper than getting a nanny,” said Ms. Tepper, 64. The round-trip tickets, which her daughter paid for, cost between $190 and $230. “I actually saved them a lot of money,” Ms. Tepper said. Her daughter later made partner in her consulting firm.

Even at a time when grandparents are more involved than ever in the lives of their children and grandchildren, the efforts of Mrs. Kim and Ms. Tepper are extraordinary. But many grandparents these days are making extreme efforts to help their children bridge the work-life divide.

“To me, grandparents are like the family National Guard,” said Andrew J. Cherlin, a sociologist at Johns Hopkins University who studies intergenerational issues. “They are ready to step in when there is a need, and as soon as that need is met, they are ready to leave active duty.”

“In low-income families,” he continued, “it may be the grandmother down the street who helps out. In high-income families, it is the grandmother in a neighboring city who helps out.”

Intercity commuting is just one way they provide that help. Grandparents are also taking time off from work, retiring early, moving to the United States from overseas or selling their home to be near grandchildren.

The greater involvement results from a confluence of factors, including the financial burdens of child care and anxiety over the quality of care. But most notably it is influenced by a generation of grandparents who have the time and the financial wherewithal to pitch in.

“This is the first generation where we have so many older people living long enough, being healthy enough and being affluent enough to provide these services on a large scale” since women entered the workplace in large numbers, Dr. Cherlin said.

But the involvement cuts across the economic spectrum. According to the census, 19.4 percent of preschool children with working mothers were primarily entrusted to grandparents in 2002, the latest year for which there are statistics. Grandparents took charge more often than fathers (18.2 percent), day care (19 percent) or hired help (9 percent). In 1995, grandparents ranked third behind fathers and day care centers, at 15.9 percent.

There are no figures on how many grandparents go to extremes, because they can afford to, to care for their children’s children.

“We call them grandboomers,” said Amy Goyer, national coordinator for the AARP Foundation Grandparent Information Center, which has noticed heightened interest in information and services for grandparents. “They have more disposable income. They may have planned better for retirement.”

For example, Judy Chen of Seattle could afford to take a year off as a hospital researcher to move to the Bay Area to baby-sit to help her daughter, a corporate lawyer. Her career was better able to absorb the timeout, she said: She was close to retirement, but her daughter was on a fairly strict career track in her firm.

“Compared with her job, I have to sacrifice a little bit,” Mrs. Chen said.

Besides, she said, echoing a sentiment expressed in similar terms by other Asian and Latino grandparents interviewed, “I am a Chinese mother.” Stepping in — even moving in — is customary in cultures that stress intergenerational familial obligations. In Mrs. Chen’s case, her sense of obligation to her daughter trumps that to her husband, who was left home alone for a year. “He is lonely, but he has a job,” Mrs. Chen said.

Mrs. Chen’s daughter and son-in-law were reluctant to hire a nanny, feeling uncomfortable with strangers raising their son. They said they also worry about day care, expressing a widely shared parental anxiety that was only heightened by a National Institutes of Health study published this year that found some evidence of increased behavior problems among sixth graders the more time they had spent in professional day care.

Were it not for the help of her mother and mother-in-law, Andrea Kim said, she would have quit her residency rather than put Noah in day care two years ago.

“I couldn’t bring myself to do it,” said Andrea Kim, who had already invested nine years in college, medical school and a residency at that point. “I had a lot of guilt.”

And so she proposed the flying granny nanny scenario to her mother. “It was a joke when I first mentioned it, then it turned into a plea,” Andrea Kim said.

Some weeks, her mother or her father, Augustine, 61, fly to Dallas, scoop Noah up at the airport curbside pickup and take him to Houston on the next flight.

“It’s crazy, isn’t it?” said Mrs. Kim, the grandmother. “Somehow it works out.”

As for the expense, the family waits for an e-mail alert that Southwest is offering a sale, then buys $1,000 worth of tickets. It’s still expensive, but less so than professional child care, which would cost her daughter and her husband, Tim, $160 to $200 a week.

Noah’s other grandmother, Nita Thomason, who lives in the Dallas area, watches him for another three days of the week.

Mrs. Kim was initially reluctant to take on the burden; she was very busy volunteering for her Southern Baptist church. But then she realized that her daughter was serious. “She was desperate,” she said. “As a mother, I thought, ‘She needs my help more than any other time of her life, and this is something I can do for her.’ ”

Ted Curtis, 62, said that his daughter Beth Horowicz, a corporate lawyer, also didn’t feel comfortable leaving her daughter, Addison, in day care. “She never really adapted,” he said of Addison, who was painfully shy and often clung to her mother’s leg.

So a few years ago, Ted and his wife, Laurie, retired, sold their house in Maine and moved in with Beth and her husband, Ben, outside Baltimore to help raise Addison. The Horowiczes bought a new house for the extended family. The grandparents’ presence has changed Addison, coaxing her out of her shell. “It took a while to get her to open up, and now she talks and talks and talks,” Mr. Curtis said. “It’s a whole different child.”

The Curtises were eager to be closer to their grandchildren, as their children are scattered across the country. “It was hard to be distant grandparents up in Maine,” said Mrs. Curtis, who now baby-sits for another granddaughter in Baltimore as well.

Some grandparents find lending a hand fulfilling. Kay Govoni of Burlington, Mass., retired 10 years ago so she could take care of her grandchildren full time.

“I do think that a lot of people my age are beginning to see that, O.K., we’ve retired, and so what do you do with your life: spend it all in a selfish let’s-go-play, let’s-go to-Florida, let’s-go-out-to-dinner lifestyle?” she said. “That gets old hat very fast.”

In many ways, being a grandparent is an extension of being a parent. Mrs. Kim said, “My friends ask me, ‘Is this for the grandbaby?’ I thought about it and I know it’s more about my child than my grandbaby.”

Mrs. Curtis said: “I think it’s really hard on young women now. They’re expected to do what my generation dreamed of doing.”

And, she said, she believes it is her duty to help her daughters fulfill the ambitions she herself encouraged. “I feel like I am responsible to some extent that they are pursuing the professions they have,” she said.

Beth Horowicz is grateful to the Curtises for keeping the household running by cooking dinners, doing the laundry and sending the thank-you cards. “They are the glue that holds things together,” said Mrs. Horowicz, who, thanks to them, even has the luxury of a morning run.

Ben Horowicz said that when he mentioned to friends that his in-laws were moving with them, “It would be followed by a moment of silence.” But over time, his peers have changed their opinion, he said. “A number of friends have expressed jealousy that we seem to have a manageable existence.”

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Weekend in New York | Public Gardens

2007.05.10. 08:43 oliverhannak

Stop and Smell the Barrenwort

ADRIAN BENEPE, New York City's parks commissioner, boasts that when it comes to gardens, New York City is “comparable with Paris.”

Mutter under your breath, if you must. (Suggestion: What's next, Mr. Benepe? Our cow pastures match Vermont's?) But with peak flower season approaching, don't pass final judgment until you've looked for yourself.

At the very least, the city has an amazing range of gardens that go far beyond garden variety, from formal French to informal Puerto Rican.

The 4-acre Battery Bosque is (luckily) unavoidable for Statue of Liberty-bound tourists: the line for the ferry cuts through it. Designed by the landscape architect Laura Starr and the gardening expert Piet Oudolf, it opened in 2005, replacing cobblestone with 130 plant species that range from alliums to irises to barrenwort to geraniums to hyacinths to sage (and those are just the purple flowers that bloom in May), shaded by London plane trees.

With a ferry wait that can last hours, leave one family member in line (we suggest Dad), admire the waves of color, hang out on a bench or check out the so-called moments of amusement, like the step-on Dance Chimes and the 35-jet fountain installed at grade for easy soak-yourself access.

The Conservatory Garden in Central Park is turning 70 this year; it is divided into gardens in the French, Italian and English styles at the northern tip of Museum Mile on Fifth Avenue. Allées of crabapples line the central French garden; the wisteria along the pergola in back should be in bloom soon. There is a free tour on Saturdays.

The Cloisters, the Metropolitan Museum of Art's medieval branch in Fort Tryon Park, is northern Manhattan's main tourist attraction. But visitors often overlook the park's Heather Garden, with its dog-tooth violets, peonies, poppies and plenty more to be seen in the next two months, not to mention the startling views of the Hudson River and the Palisades of New Jersey. And no need to take a picnic. Nearby is one of Manhattan's more unusually situated restaurants. The New Leaf Café is in a 1930s stone building in the middle of the park and serves upscale but crowd-pleasing fare like duck confit panini or challah French toast with chicken and apple sausage for Sunday brunch ($17.95). The setting lends itself to oddities for Manhattan, like flitting butterflies and free parking.

Wave Hill, 28 acres in the Riverdale section of the Bronx that also overlook the Hudson and the Palisades, is a mix of scenic views, gardens, woods, an art gallery and, unlike the Conservatory Garden, a conservatory. Until the end of May, the gallery is featuring “Emily Dickinson Rendered,” with sculptures and installations by contemporary artists inspired by the poet, who would certainly have favored Wave Hill over, say, Wall Street. Ditto for Thoreau, who inspired the artists who will be featured from June 7 to Aug. 26.

You cannot plan a city garden tour without visiting the smallest but most spirited ones: The more than 600 community gardens that sprang up in the 1970s in vacant lots. Though only the neighbors have keys, they are required to open up the gardens to the public several hours a week.

They're all across the city, but concentrated in neighborhoods like Harlem and the East Village. You can take a mini-tour by starting at the blocklong Liz Christy garden on Houston between the Bowery and Second Avenue, an early garden that served as a model for others, and walking east to Le Petit Versailles, which is often home to art exhibitions and films. Turn left on Avenue C, and hit the impossible-to-miss Secret Garden at Fourth Street (some secret), where a largely Puerto Rican crowd gardens, relaxes and plays dominos.

Though the neighborhood has long been losing café con leche joints to fancy espresso shops, you can find traditional Puerto Rican food in the humble Casa Adela luncheonette across Avenue C. Then head to the 6BC Garden with its little ponds, tables made from slabs of stone and a two-story structure. Its overseer, Katherine Gleason, describes it as the kind of garden you'd see next to a rundown Italian villa.

So far, all the gardens mentioned are open to the public. But one neighborhood, Jackson Heights in Queens (disclosure: I live there), has the city's true secret gardens, blocklong interior courtyards largely invisible from the street (disclosure: my apartment looks out on one). On Saturday, June 9, an annual map-provided, self-guided garden tour opens them to the public from noon to 4 p.m. (disclosure: if you steal any of our flowers, I'll get you).

And if all of that's not enough, there are the city's four botanical gardens: in the Bronx, Brooklyn, Queens and Staten Island. And if that's not enough, there's always Paris.

VISITOR INFORMATION

The Battery Bosque (www.thebattery.org/gardens) is at the southern tip of Manhattan. Admission is free. Enter Central Park at Fifth Avenue and 105th Street for the Conservatory Garden (www.centralparknyc.org/virtualpark/northend). It's free, and tours meet at 11 a.m. on Saturdays at the Vanderbilt Gate.

Admission is free at the Heather Garden in Fort Tryon Park (www.ftpt.org) in Washington Heights. The New Leaf Café is east of the garden (212-568-5323, www.nyrp.org/newleaf).

Wave Hill is at West 249th Street and Independence Avenue in the Bronx (718-549-3200, www.wavehill.org).

Among the community gardens, Le Petit Versailles on East Second Street between Avenues B and C, is open on Wednesdays and Saturdays from 2 to 7 p.m. The Secret Garden at Fourth Street and Avenue C is usually open every day; the Casa Adela cafe (212-473-1882) is nearby at 66 Avenue C. The 6BC Garden (www.6bc.org) at East Sixth Street between Avenues B and C is open 1 to 4 p.m. on weekends and Wednesday evenings until dark.

The Jackson Heights Garden Tour (718-565-5344) is on June 9. Tickets are $10 and may be purchased the morning of the event at the Community Church, 81-10 35th Avenue.

The four botanical gradens are: the New York Botanical Garden in the Bronx (718-817-8700, www.nybg.org); the Brooklyn Botanic Garden (718-623-7200, www.bbg.org); the Queens Botanical Garden (718-886-3800, www.queensbotanical.org); and the Staten Island Botanical Garden, (718-273-8200; www.sibg.org).

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Letter From the Netherlands / Tulip Mania

2007.05.09. 10:54 oliverhannak


SINCE 1637, when the irrationally exuberant Dutch tulip bulb market collapsed, it has been a cliché to say that the satiny, ephemeral blossom is the only thing that can drive the sensible Dutch to heights of fancy. “We went mad,” confirms Karin Hoogland, a manager at the Keukenhof, the giant spring garden near Lisse. “People really lost everything they had.”

But even a 10,000-florin bulb produced a flower — more than can be said for an interest-only mortgage. It’s this quality that has given the tulip staying power in Dutch culture. “We have these very dark, wet winters,” says Ms. Hoogland, “so when the tulips start blooming, it’s emotional.”

Spring visitors can’t miss the bright fields: flights approach Schiphol Airport over the sandy soil behind the Netherlands’ coastal dunes, perfect tulip country, roughly from Haarlem to The Hague.

In Haarlem, my wife, Nina, and I joined a giddy crowd at the Bloemencorso Bollenstreek (bloemencorso-bollenstreek.nl), the largest of many flower parades held across the country. Children danced under the influence of salty Dutch licorice as dozens of floral-psychedelic floats cruised by, each sculptured from countless blossoms. A vast Pippi Longstocking, a huge purple beer barrel and succulent-looking fruits as big as garden sheds scented the air for precise marching bands.

Mania is also in the air at the Keukenhof (open this year until May 20; admission 13 euros, or about $18 at $1.39 to the euro; an 18-euro ticket includes bus fare from the nearby Leiden train station; www.keukenhof.nl). Sharp, massed beds are set in emerald lawns beneath big, newly leafed beech trees. Tulips riot with billowing rhododendrons and azaleas, wisteria cascades, late daffodils and pavilions of orchids and cut roses. Peacocks wail in envy before the seven million bulbs.

The flower-to-visitor ratio is even better just outside the Keukenhof’s boundaries, where fields of tulips stretch to the flat horizon — the dabs of color visible from the air — the mother lode that produces bulbs for the whole world’s gardens.

We rented easy-riding Dutch bicycles for 8 euros and set off on the day’s suggested route, a glide through hyacinth-perfumed air over little bridges spanning still waterways plied by magnificent swans. The fields appear from a distance as pure form, but up close, individual blooms bob gently in the breeze, giving the landscape a hallucinatory shimmer.

The spell is broken only by the occasional whiff of agricultural chemicals. “The acres and acres of tulips in bloom are dazzling,” says Amy Stewart, author of the best-selling “Flower Confidential,” “but it’s also a factory: Holland is one of the few places people can get a glimpse of how the modern flower industry operates.”

The small Amsterdam Tulip Museum (Prinsengracht 112; 31-20-421-00-95; www.amsterdamtulipmuseum.com; admission 2 euros) details how tulips are grown, but the best way to see this industry in action is at the flower auctions. Visitors can watch the stunning scale of Dutch commerce at FloraHolland in Naaldwijk (www.floraholland.nl; tours are 2 euros and start at 8 a.m.) or Bloemenveiling Aalsmeer in Aalsmeer (www.vba.nl; admission 5 euros for tours starting at 7 a.m.), where nearly 20 million stems are sold each morning. Countless carts of flowers glide beneath huge, bewildering clock faces while a gallery of bidders determines the fates of growers worldwide.

But this efficiency spoils us. In Amsterdam, at the Rijksmuseum (www.rijksmuseum.nl; admission 10 euros), I stood rapt before Hans Bollongier’s 1639 “Still Life with Flowers,” a sheaf of broken tulips, anemones, roses, carnations and irises popping from murky shadows. At the time they were painted, these Golden Age bouquets — the icons to which every vase aspires — were impossible mixes from different seasons.

If today they are within reach, there is still more to art than mere variety. I find Amsterdam’s floating market to be irremediably touristy — for one thing, the stalls manage to float without any of the romance the concept implies: it looks like nothing more than a row of garden supply shops thick with souvenir hunters. Ten euros will buy a hundred mixed tulip bulbs, and 3.50 a bag of 10 select bulbs, but if you plan to take them home, make sure they really have been certified by the United States Department of Agriculture — a detail that has been misrepresented by unscrupulous or misinformed sellers.

But why bother? The same bulbs, from the same fields, are available at home. Instead, take advantage of the Netherlands’ perfect tulip-growing conditions and buy cut flowers. For the Dutch, flowers are an everyday necessity: you’ll see fresh bouquets everywhere, from homes to herring stands. You should follow their lead.

At the highly regarded florist Menno Kroon (Cornelis Schuytstraat 11; 31-20-679-19-50; www.mennokroon.nl), 50 euros will buy one of the freshest, best-considered bouquets in the world. Right now showy, long-stemmed organic tulips in the shop’s dark interior glow at least as wantonly as their nearly 400-year-old ancestors in the Rijksmuseum. Call ahead and have lush flowers greet you at your hotel.

For a more affordable bouquet, pick up several dozen tulips for a few euros at the outdoor Albert Cuypmarket, or visit ’t Lievertje (31-20-627-90-62), a stall at the corner of Kalverstraat and Hoek Spui. There, bouquets start at 15 euros and bags of U.S.D.A.-certified bulbs at 4.50. Accomplished, if surly (Don’t touch! No pictures!), florists whip together bounteous arrangements on sidewalk tables. Cigarettes dangle from the florists’ lips as they toil, and the street is slippery with discarded leaves, yet the work is impeccable, a hint of why many Dutch people find American bouquets lifeless.

And without life, there’s no point. Melancholy underlies the tulip’s beauty; perfection tempered by impermanence. If the Golden Age still lifes sought to prolong that moment, the impulse lives on: When we sat down at the Art Deco Café Americain near the Rijksmuseum, Nina had with her a single tulip — orange limned in yellow — that a florist had given her. By then the flower was flaccid, lying on the table like a visitor exhausted by a day spent sampling Amsterdam’s delights. A waitress rushed over, her brow furrowed in concern: “I’ll bring water right away,” she said, “for the tulip.”

This instinct is most realized at the Hortus Bulborum, in the otherwise unremarkable village of Limmen (open until May 16; 31-251-23-12-86; www.hortus-bulborum.nl; admission 3.50 euros). Because tulip bulbs are alive, each lineage must be grown every year or it will die out. At the Hortus Bulborum, more than 2,500 cultivars are grown in plots arranged alphabetically by variety. If it lacks the composition of the Keukenhof, the place draws serious flower fanciers for a glimpse of history literally alive.

Beds of ancestral wild tulips from the Silk Road bulb trade — weedy things with flowers like small crocuses — give way to dainty Duc van Tol Red and Yellow tulips, the oldest known surviving cultivar, grown each year since 1595. Nearby is La Reine, a compact white bloom shot with rose blush. One of the most-cultivated tulips ever, it nearly went extinct during the Depression. Black Beauty rises dour behind Double Earlies that look more like peonies than tulips, and a few steps away Hummingbird glistens Granny Smith green.

But to me the greatest treasure at the Hortus Bulborum is the showy Orange Favorite. First discovered right in Limmen in 1930, it is the most fragrant — yes, fragrant — variety of tulip known. When I found it, I knew tulip mania: I stooped in the sand, groveling to coax the heady, full scent from the just-unclenching buds, anxious not to lose it to the cool North Sea breeze.

Szólj hozzá!

Food: The Way We Eat

2007.05.07. 10:17 oliverhannak


Book of Revelations

If there’s such a thing as boomer cuisine, it can be found in the pages of “The Silver Palate Cookbook.” With its chirpy tone and “Moosewood”-in-the-city illustrations, the book, published in time for Mother’s Day in 1982, gave millions of home cooks who hadn’t mastered the art of French cooking the courage to try sophisticated dishes like escabeche, wild mushroom soup and that new thing called pesto. Years later, mothers sent their grads into the world with their raspberry-vinaigrette-stained copies. And now, with the 25th-anniversary edition, a new generation will try dishes like chicken Marbella, which once seemed as risky (capers! prunes!) as the East Village.

The Silver Palate was born of the women’s movement. The co-authors, Sheila Lukins and Julee Rosso, a caterer and an advertising executive respectively, realized that they couldn’t have it all and dinner too. (“There were school schedules, business appointments, political activities, art projects, sculpting classes ... weekends in the country or at the beach. ... It was much too much,” they later wrote.) If they couldn’t be wonder women, they figured, who could? So just days after the blackout of ’77, they filled the niche with a nook: the Silver Palate, an 11-by-14-foot shop on New York’s Columbus Avenue stocked with tarragon chicken salad, ratatouille, salmon mousse and brownies made from scratch. “The city was primed,” Lukins said recently over lunch in Manhattan. Indeed, that same year the gastro-temple Dean & DeLuca also opened.

At the time, two women opening a business together was “wild,” Lukins said. So were blueberry chutney, pâté maison and poppy-seed dressing. “But people wanted to learn,” Rosso said. “They started to trust us. We began serving bisteeya, torta rustica — in those days, people hadn’t heard of them. As we discovered new things, like balsamic, we could teach them.” Their menus and newsletter, published to demystify the Silver Palate line of condiments, helped form the basis for the cookbook. The cheerful, chatty voice and the tips, menus and quotations that appear on almost every page were a way to make cooking cozy and fun, Rosso said, as well as to tell readers: “Don’t make a big deal with the food. Get some balloons up in the air and have a picnic!”

Now in their early 60s, they are an unlikely pair, Rosso with her highlights and diamonds and Midwestern cheer that sometimes culminates in a “whoop-ee-doo!”; Lukins with her no-nonsense hair and red Bakelite jewelry, a brow arching over her reading glasses as she uses the title “Marat/Sade” to describe a square bathtub. After they sold the Silver Palate in 1988, Rosso returned to her native Michigan to buy and run the Wickwood Inn in Saugatuck with her husband and published two cookbooks; Lukins has written three cookbooks and has been food editor of Parade magazine since 1986, a job she and Rosso took over from Julia Child. The two had a public falling out in 1991, when Lukins objected to something Rosso, who had started a newsletter, wrote about her. Today they have the alternately fond and strained patter of a divorced couple at their child’s wedding.

Both agree on how well the book has held up over the years — though perhaps not physically. (“We sell so many copies because they fall apart” from use, Rosso said.) They’ve added color photos and updated information on cheeses, sausages and heirloom tomatoes. “There’s more to life than button mushrooms,” Lukins said. But most of the recipes remain the same. Although some are as cringe-inducingly dated as navy power suits — cream of mango soup, brie soufflé, dried herbs in everything — others have become a part of the cooking vernacular: curried butternut squash soup, beet-and-apple purée and that once-daring chicken Marbella. Graying Silver Palateers will indeed find the new edition cozy and fun. Generation X-ers will value the kitsch factor, feeling slight embarrassment at having once thought it so sophisticated and adult; as for generations Y and Z, there are some solid basics to be found, if a good quiche is what those entitled ingrates are into these days.

“I made chicken Marbella a few weeks ago as an appetizer at the inn,” Rosso said. “The next day I took the leftovers, reheated them in a frying pan, put it on arugula with asparagus and red-wine vinaigrette and stuck some of the Marbella juices into the vinaigrette. It only took me 25 years to do it! You can teach an old dog new tricks, right, Lukie?”


The following recipes were adapted from “The Silver Palate Cookbook.”

Chicken Marbella

½ cup olive oil

½ cup red wine vinegar

1 cup pitted prunes

½ cup pitted Spanish green olives

½ cup capers, with a bit of juice

6 bay leaves

1 head of garlic, peeled and puréed

½ cup fresh oregano, chopped, or ¼ cup dried oregano

Coarse salt and freshly ground black pepper

2 chickens, 3 ½ to 4 pounds each, quartered

1 cup dry white wine

1 cup brown sugar

2 tablespoons finely chopped flat-leaf parsley.

1. In a large bowl, combine the olive oil, vinegar, prunes, olives, capers and juice, bay leaves, garlic, oregano, and salt and pepper to taste. Add the chicken pieces and turn to coat. Refrigerate overnight.

2. Preheat the oven to 350 degrees. Arrange the chicken in a single layer in a shallow roasting pan; spoon the marinade over it evenly. Pour in the wine and sprinkle the chicken with the brown sugar.

3. Bake until the thigh pieces yield clear yellow juice when pricked with a fork, 50 to 60 minutes, basting two or three times with the pan juices once the chicken begins to brown. (When basting, do not brush off the sugar. If the chicken browns too quickly, cover lightly with foil.)

4. Transfer the chicken pieces to a warm serving platter and top with the prunes, olives and capers; keep warm. Place the roasting pan over medium heat and bring the pan juices to a boil. Reduce to about ½ cup. Strain into a heatproof bowl, add the parsley and pour over the chicken. Serves 6.


Decadent Chocolate Cake

For the cake:

½ cup (1 stick) unsalted butter, plus extra for greasing pan

1 ¾ cups plus 2 tablespoons unbleached all-purpose flour, plus extra for flouring the pan

3 ounces unsweetened chocolate

1 teaspoon vanilla extract

2 cups sugar

2 eggs, separated

1 teaspoon baking soda

½ cup sour cream

1 teaspoon baking powder

For the frosting:

2 tablespoons unsalted butter

¾ cup semisweet chocolate chips

6 tablespoons heavy cream

1 cup sifted confectioners’ sugar

1 teaspoon vanilla extract.

1. Preheat the oven to 350 degrees. Butter and flour a 10-inch tube pan.

2. Cut the chocolate and butter into small pieces and place in a large bowl. Pour 1 cup boiling water over them; let stand until melted. Stir in the vanilla and sugar, then whisk in the egg yolks, one at a time.

3. In a small bowl, mix the baking soda and sour cream and whisk into the chocolate mixture. Sift the flour and baking powder and add to the batter, mixing thoroughly.

4. Beat the egg whites until stiff but not too dry. Stir a quarter of the egg whites thoroughly into the batter. Gently fold in the remaining whites.

5. Pour the batter into the prepared pan. Set on the center rack of the oven and bake until a cake tester inserted into the center comes out clean, 40 to 50 minutes. Cool in the pan for 10 minutes, unmold and cool completely before frosting.

6. To make the frosting: Place all the ingredients in a heavy saucepan over low heat and whisk until smooth. Spread on the cake while the frosting is still warm. Serves 12.

Szólj hozzá!

The Heel Is Rising

2007.05.05. 14:46 oliverhannak

WE were bound for a farmhouse, and I had my doubts.

Like many seasoned travelers, I'd been burned by the promise of rustic lodging with multi-star amenities, a happy-sounding combination that often meant a working telephone in a stone chamber otherwise untouched by progress and its attendant conveniences, like reliable plumbing and regular maid service.

And the lodging in question was in the southern Italian region of Apulia, which I'd known to be an inconvenient place. I'd made work trips there in 2002 and 2003, when I was a reporter based in Rome, and had marveled at the cramped, drab airport in the region's largest city, Bari. It was fit for a Graham Greene novel, not a glossy travel brochure.

So when my friend Sylvie told me that old farmhouses less than an hour's drive south of Bari were being converted into cushy resorts, I felt more skepticism than curiosity. And when she gushed about the reputed beauteousness of the one she'd booked us into, I vowed to be charmed, not outraged, at the inevitable exposure of her gullibility. The vacation would go so much easier that way.

Early one afternoon last September, we pulled up to our agrarian idyll, and I searched in vain for any traces of a farmhouse in the airbrushed campus of smooth whitewashed buildings before us. The buildings were fringed by palm trees and latticed by tidy gravel paths. Off to their side glittered a huge, pristine swimming pool with a slatted wood deck. Beyond that, on the grounds of a sister “farmhouse,” the candlelit rooms of a full-service spa meandered through an underground cave of sorts.

We mentioned to the hotel staff that we were hungry, and within minutes pressed panini of mozzarella and prosciutto — along with glasses of inky, fruity red wine — were being placed on our table in a sleek lounge area with all-white furniture and lulling cross breezes.

This was pure luxury. It was also a barometer of what was happening in Apulia.

The Bari airport that I flew into this time around was new and much bigger than the old one, reflecting the heavy traffic of budget carriers and sun worshipers from England and Germany. Almost everywhere we went, we encountered a region with a tourist infrastructure much better developed, especially at the high end, than it had been, say, five years earlier. Apulia was entering that instantly recognizable (and somewhat oxymoronic) Mediterranean state of rustic fabulousness.

It's no wonder that, in conversation and print, Apulia is so frequently called the new or next Tuscany, a tired, trite sobriquet that will no doubt be trotted out for obscure Basilicata and hapless Molise — two of the country's poorest, least visited regions — if we just wait long enough.

But you'll find no Florence in Apulia. No Siena, either, though the city of Lecce, with its impressive Baroque churches, is an architectural showcase less seen than it deserves to be.

What you will find, in place of big revelations, is an accretion of the small, quiet moments that can be so rare in more trammeled patches of Italy, which is to say most of the country.

In sleepy Trani, which is like Portofino on Quaaludes, you'll stumble across the Cathedral of St. Nicholas the Pilgrim, a tawny, asymmetric Romanesque church completed in 1143 and set against an unusually vivid backdrop: the turquoise waters of the southern Adriatic. You'll peek inside the church and, unless it's the height of tourist season, notice something extraordinary. You've got the place to yourself.

In Lecce, you'll ring the bell at Cucina Casareccia, where everyone has told you to have dinner, but you'll wonder if you have the right address, because there's no clear sign out front and the door is locked. An older woman opens it, checks to make sure you have a reservation and leads you to one of no more than a dozen tables.

Perhaps 10 minutes later, she pulls up a chair so she can sit while she tells you, in Italian so patiently enunciated that almost anyone with a phrase book could follow along, what's being served that night. The marinated yellow peppers that kick off the meal are some of the sweetest you can ever hope to have. The veal meatballs that come later are some of the juiciest.

And on the paths to and from almost everywhere you go, you'll see what rapidly emerges as the defining image of Apulia, a scene that charms instead of dazzling, which is partly why it distills the region so well. A grove of aged olive trees, their branches and trunks as gnarled as nature gets, spread out behind one of the squat stone fences that seem to be countless in number and endless in reach. A lot of brawn has gone into this countryside, where a disproportionate amount of Italy's olives, grapes and grain is grown.

Apulia doesn't make sense as a primer for, or point of introduction to, a country whose most regal, accessible treasures and dramatic landscapes lie elsewhere. It's better considered and appreciated as a course in advanced Italian for the traveler who has already learned the grammar of Rome and Venice; conjugated the golden hills of Tuscany and the green ones of Umbria; been brought up to speed on all of the basics.

It's not only subtler but also more demanding. Unless you're a beach bum content to plant yourself on a few square feet of sand along Apulia's western or eastern coastline — as the spiky-tipped heel of the Italian boot, Apulia has shores facing each direction — you need to stay on the move.

There's no one city that can keep you fully engaged for more than a few days or makes an ideal base from which to take short, easy day trips. Bari's too far to the north, Lecce's too far to the south and Brindisi, which falls in between them, is simply too depressing.

Over the course of a week in Apulia, Sylvie and I drove and drove, seldom sure exactly where to stop, because Apulia doesn't make it obvious.

We knew we had to visit Alberobello, designated a Unesco World Heritage site in recognition of its dense cluster of trulli, the eccentric conical structures that dot the countryside south of Bari. They date back at least to the Middle Ages and may be even older, and look like sun-baked time shares for Keebler elves. Alberobello has scores of them, along with the smarts to milk them for all they're worth.

Signs around town direct you to the conjoined “Siamese trulli.” To the “smallest trullo in the world,” trullo being the singular form of the word. To the “sovereign trullo,” larger than others and situated on a bluff above them. More than a few of these trulli harbor souvenir shops, which of course sell miniature replicas of the very structures they inhabit. You'll have your fill of trulli by the time you leave, which may be as soon as 90 minutes after you've arrived.

We felt pulled not only to Alberobello but also to the tip of the heel, and we wisely took a long day for a slow drive there and back from Lecce. While much of Apulia's shoreline is flat, the eastern stretch between land's end and Otranto, a span of about 25 miles, represents a jaggedly beautiful exception, and it puts you so close to Greece, which parts of Apulia resemble, that at one point the only station we could get on our car radio was a Greek one.

We traced the curves, rises and dips of the road nearest the water, and it took us through tiny seaside towns with crescent-shaped beaches that were largely empty. Granted, we were past the peak of summer, but the weather was still warm enough in late September for sunbathing and swimming. We did both just a few miles north of Otranto, having ventured down a dirt road that dead-ended perhaps two dozen feet from the sea.

There were tall dunes all around us, and I clambered to the top of one, where I couldn't hear anything but surf and wind and couldn't see anyone else. I stood there for a good half-hour, unwilling to surrender this perch.

Like so much in Apulia, Lecce is quickly digested, but what a treat. Its compact historic center — where bicycles outnumber motor scooters or cars and fashionably dressed men and women walk tiny, puffy dogs — has the gentle, affluent feel of a northern Italian city like Parma or Ferrara.

It also has more than a half-dozen compelling Baroque churches, no two more than 10 minutes by foot apart, and they aren't lost in a crush of other architectural gems, the way the Baroque churches in Rome can be. To look at the spiraled columns on their facades, where stone animals frolic and cherubs preen, is to understand how badly a generation of builders wanted to jettison the clean lines and restraint of the Renaissance. This is exuberant, exultant art.

What Lecce doesn't have is a plethora of decent accommodations. The development of these has been lavished on or near the beach areas to its south, where the emergence of high-end boutique hotels — one fashioned from a former convent, another from a former tobacco factory — was the subject of a cover story in an issue of a major Italian travel magazine that was published during our trip.

Even more high-end development has occurred to its north, on or near a stretch of coastline between Bari and Brindisi, which are most foreign tourists' points of entry into Apulia. The coastal towns of Monopoli and Savelletri di Fasano lie at the center of this activity, and Monopoli presents a tidy, decidedly upscale emblem of it: La Peschiera, a five-star hotel that, despite its waterfront location, has seven discrete pools — some of them, admittedly, tiny ones — for just 11 rooms.

La Peschiera opened in 2002, the same year that Masseria Torre Coccaro in nearby Savelletri came along, reflecting Apulia's masseria boom. The word masseria refers to a fortified farmhouse — fortified in the sense that its turrets and walls were built to spot and deter invaders — and there are many of these structures situated a few miles back from the sea in Savelletri.

Over the last five years, one after another has been converted into a luxury accommodation with no more than a few dozen rooms, manicured grounds and, more likely than not, a spacious and eye-catching pool. The one at Torre Coccaro, which also has the underground spa, was built to resemble a Polynesian beach, replete with little thatch-roofed huts. Apulia's eagerness to woo the international jet set sometimes gets ahead of its good taste.

SYLVIE and I stayed next door, at Masseria Torre Maizza, which had opened four months earlier. Long before that, it was farmland, barns and storage areas. But old and new structures on the property had been integrated seamlessly into a tiny snow-white village with golf links around it and a library of scores of digital video discs. The plumbing and maid service were beyond reproach.

Torre Maizza was nearly empty when we arrived, but it filled up quickly the next day when an American bicycling group arrived. Bicyclists love Apulia, and they're all over the region: bicyclists in small groups, bicyclists in large groups, young bicyclists who hardly break a sweat, less young bicyclists earning the plate of orecchiette that they plan to have for dinner and trying to keep the ravages of time and gluttony at bay.

Apulia's expanses of relatively flat land are a pedaler's dream. So is the region's warm, dry weather. The usual reliability of sunshine was hammered home to us by what happened when heavy rains fell during our stay at the masseria. Dirt and stone roads that had been built without any worries of wetness flooded almost instantly, literally swallowing cars, including one that had been rented from the masseria by a British travel writer and her companion.

When last I saw her, one of the managers of the masseria was asking how she planned to pay for the car's repair, and she was shaking her head and repeating the words “act of God” over and over again.

This masseria was our base for drives to Apulia's version of hill towns, more pleasant than wildly picturesque and no competition for Todi or Assisi. Near the summit of one of them, Ostuni, we sought out a moody labyrinth of cobbled, white-walled passageways that we had read and heard about.

Twenty minutes later, we had walked down all of them. Twice.

A letdown? Not really, because in and around this maze we had a choice of several amusingly named restaurants. There was — to provide rough translations — the Restaurant of the Poor Man, the Restaurant of Jealousy and the Restaurant of Lost Time. We like the notion of squandering time. We went to that last one.

And for less than $60 dollars apiece, including plenty of wine, we had a terrific four-course meal brimming with Apulia's culinary trademarks. There was orecchiette, of course — those fat, ear-shaped nubs of pasta. There were chickpeas and broccoli rabe and cured meats seasoned with more pepper than in other parts of Italy and garnished with pomegranate seeds.

The food in Apulia is less instantly familiar than the food elsewhere in Italy. The wines — from such grapes as primitivo, negroamaro, verdeca and uva di troia— aren't as well known to Americans as those made from sangiovese and nebbiolo grapes further north.

And the restaurants and food stores exhibit a hospitality even more pronounced and easygoing than in other regions of Italy, because they've yet to be deluged with foreigners in the same way. At the restaurant U.P.E.P.I.D.D.E. in Ruvo di Puglia, the proprietor insisted on taking us into the back and showing us the cavernous stone rooms where he keeps thousands of bottles of wine.

And in Martina Franca, at a meat and salumi shop called Macelleria Romanelli Tommaso & Company, the proprietor decided that Sylvie and I really couldn't taste the salumi properly without some wine, so he hustled away, fetched two plastic glasses, opened a local red blend and poured us tall glasses of it.

Martina Franca is another of Apulia's hill towns, with even less bustle and fewer conventional sights than Ostuni. The half-hour we devoted to a jaunt through its center was long enough. But who needs glorious architecture and breathtaking views when you can lean against a glass counter brimming with artisanal sheep cheeses, shoot the breeze with a local butcher and try the special lardo di Martina Franca, which is sliced thicker than Tuscan lardo and has meat attached to the fat?

As the wine went to my head, I could feel Apulia working its way into my heart.

VISITOR INFORMATION

GETTING THERE

The easiest point of entry into Apulia is the city of Bari, and flying there from New York entails connecting through Milan or, better yet, Rome. Round-trip flights to Bari can be arranged through several carriers, including Delta, Continental and Alitalia, for coach fares that start at about $1,250.

A car is the best way to explore the region, and the Bari airport has offices of several major rental agencies. Some of the best rates are from Maggiore, a partner of National and Alamo; a weekly rental costs about 240 Euros for a compact car.

WHERE TO STAY

As you move through Apulia, which stretches more than 200 miles from north to south, you'll probably want to spend different nights in different places. North of Bari, in the sleepy but picturesque seaside town of Trani, you'll find the Hotel San Paolo al Convento (39-0883-482-949; www.sanpaoloalconvento.traniweb.it), which was carved out of a 15th-century convent. Doubles start at about 140 Euros.

Many old stone farmhouses around Savelletri di Fasano have been converted into small luxury resorts, and among the newest and most gleaming is Masseria Torre Maizza (39-0804-827-838; www.masseriatorremaizza.com), which has white-washed buildings, spacious rooms, a gorgeous pool with a slatted wood desk and spa facilities. Doubles start at about 300 euros.

In Lecce, a city of Baroque architectural treasures that can't be missed, almost anyone who wants a full-service hotel in the heart of the city stays at the Hotel Patria Palace (39-0832-245-111; www.patriapalacelecce.com), which faces the ornate facade of Santa Croce, one of the city's most ebullient Baroque churches. Some of the rooms on higher floors have lovely private patios. Doubles start at about 190 Euros.

WHERE TO EAT

Near the summit of the hilltop town of Ostuni you'll find the Osteria del Tempo Perso (Via G. Tanzarella Vitale, 47; (39-0831-303-320; www.osteriadeltempoperso.com). The rough translation of its name is the Restaurant of Lost Time, and you'll be happy to throw away a great many minutes at one of its tables. Make sure to get an antipasti assortment and give the pasta dishes priority over the meat dishes. Dinner for two with wine is about 90 euros. If a nighttime detour into Ruvo di Puglia makes sense, then the restaurant U.P.E.P.I.D.D.E. (Vico S. Angese, 2; 39-0803-613-879) is a must for its charming cavelike atmosphere, its terrific list of Italian wines from Apulia and other regions and its remarkably friendly service. Dinner for two is about 85 euros with wine.

In Lecce, the restaurant that everyone recommends is Cucina Casareccia (Via Colonnello Costadura, 19; 39-0832-245-178), and with good reason. It's tucked away in what looks and feels like a private home and it's a terrific showcase for the pasta dishes, beans and vegetables so prevalent in Apulian cuisine. Make a reservation, because the woman who answers the door when you ring the bell will ask you if you have one before letting you inside. Dinner for two with wine is about 80 euros.

The gorgeous drive from the southernmost tip of Apulia up its eastern coast will take you through Otranto, where you'll figure you should avoid the generic-looking restaurants on a beachfront stretch in the center of town. But stop at the Profumo di Mare pizzeria and restaurant on Lungo Mare Terra d'Otranto (39-0836-806-097), where the pizza is terrific and bottles of rosé and white wine — perfect for a sunny respite at one of the many outdoor tables — are reasonably priced. Lunch for two with wine is about 60 euros.

FRANK BRUNI is the restaurant critic of The New York Times.

Szólj hozzá!

Surfacing | Minneapolis

2007.05.03. 09:19 oliverhannak

A Foodie Scene in the Twin Cities

AS architectural buffs will tell you, downtown Minneapolis is the coolest place to build on the prairie. There's the gleaming blue Guthrie Theater designed by Jean Nouvel along the Mississippi River, the sharp-edged Herzog and de Meuron addition to the Walker Art Center, and Cesar Pelli's luminous public library, to name the newest.

But now foodies are talking about Minneapolis, too. In another sign of a cultural awakening, dining out in this city of sensible industry is no longer confined to steakhouses (though, this being the Midwest, the steaks are pretty good). Recently, a crop of innovative restaurants have expanded the city's culinary landscape with their cosmopolitan mix of celebrity chefs and appreciation of organic and regional ingredients.

Among the first bold-faced arrivals was Wolfgang Puck, who opened 20.21 (1750 Hennepin Avenue, 612-253-3410; www.wolfgangpuck.com), a pan-Asian restaurant in the Walker Art Center (the name refers to the museum's 20th- and 21st-century art) in April 2005. Floor-to-ceiling windows frame the new skyline, and patrons can see into the open kitchen. An amuse-bouche of cold Sichuan green beans and walnuts sets the stage for the sweet-and-spicy Shanghai pork noodles with mushrooms ($12).

Another celebrity chef, Jean-Georges Vongerichten, is behind the Asian-inspired menu at Chambers Kitchen, a busy, unfussy restaurant at the Chambers Minneapolis (901 Hennepin Avenue, 612-767-6999; www.chambersminneapolis.com), a luxury hotel filled with provocative works by Damien Hirst and other contemporary artists. The menu is just as dazzling, with dishes like oyster mushroom and avocado carpaccio drizzled with jalapeño oil ($10) and the spice-encrusted striped bass served with a buttery sweet and sour sauce ($28).

For the dinner-and-theater crowd, there's Cue (818 Second Street South, 612-225-6499; www.cueatguthrie.com), an open dining room in the Guthrie Theater with clear views of the Mississippi River and St. Anthony Falls. Kent Buell's menu is built on ingredients produced by Midwestern farmers, fishermen and foragers, like the pecan-wood-smoked breast of Minnesota free-range chicken in preserved cherry sauce, with parsnip and garlic-scented braising greens from greenhouse farmers in the north of the state ($22).

Not all the upscale restaurants are attached to cultural attractions. In the nearby Warehouse District, 112 Eatery (112 Third Street North, 612-343-7696; www.112eatery.com) serves an international medley of flavors in an intimate and laid-back setting that stays open till 1 a.m. Theatergoers and off-duty chefs can be seen ordering dishes like tempura blue prawns with serrano chile mayo ($12), baby lamb chops in goats' milk yogurt ($12) and the tangy bacon, egg and harissa sandwich ($7).

“We're catching up to what's happening on the coasts and in Chicago,” said Isaac Becker, the chef at 112 Eatery. “Part of my goal was to make this food accessible.”

A similar philosophy informs the menu at Spoonriver (750 Second Street South, 612-436-2236; www.spoonriverrestaurant.com). Brenda Langton serves grass-fed lamb and beef with organic vegetables in her glass-fronted, railcar-width restaurant. Favorites include the wild mushroom and pistachio terrine ($8) and lamb ragout and tagliatelli ($18).

“There's an energy and a force here,” said Ms. Langton, who also founded the Mill City Farmers Market (www.millcityfarmersmarket.org), an organic market behind her restaurant in the Mill City Museum train shed. “Minneapolis is finally coming into its own.”

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